1. I think it means that the film opening should instantly grab your attention so the audience are still interested in the film.
2. It may start off very good but then you will have to do something better so the audience can be satisfied or the audience may become disinterested in the film. That's why Jean Jacques Beineix prefers when you slowly develop a film opening as it would be more enjoyable to the audience.
3. If the audience feels like they know too much, they won't become more invested in the film as it goes on and if they know too little, I think that they won't fully grasp the concept of the film and understand it properly.
4. The classic opening that Stanley Kauffman describes is when it begins with a establishing shot of the city, followed by a close up of a building and then camera pans upwards. It stops panning when there is a window and it goes through to where the scene is going to take place. This 'classic opening' works because the audience where the scene is taking place and what the occupation of the hero is.
5. Seven was very effective as it was able to display the main character's characteristics such as his compulsive behaviour which was shown by him slowly cutting out part of a dollar bill. Also, it foreshadows events that are going to happen in the film.
6. Orson Welles wanted the title opening of ' A touch of Evil' to have no credits or title music as he wanted to the audience to be invested in the movie straight away. But, Universal Studios decided to put a score and credits as they didn't understand the pictures itself.
7. The favourite trick in Film Noir is that the beginning of the film looks like the ending.
8. It creates suspense as it begins with a picturesque setting as lakes and mountains and the camera is constantly following a car ' like its a predator'.
2. It may start off very good but then you will have to do something better so the audience can be satisfied or the audience may become disinterested in the film. That's why Jean Jacques Beineix prefers when you slowly develop a film opening as it would be more enjoyable to the audience.
3. If the audience feels like they know too much, they won't become more invested in the film as it goes on and if they know too little, I think that they won't fully grasp the concept of the film and understand it properly.
4. The classic opening that Stanley Kauffman describes is when it begins with a establishing shot of the city, followed by a close up of a building and then camera pans upwards. It stops panning when there is a window and it goes through to where the scene is going to take place. This 'classic opening' works because the audience where the scene is taking place and what the occupation of the hero is.
5. Seven was very effective as it was able to display the main character's characteristics such as his compulsive behaviour which was shown by him slowly cutting out part of a dollar bill. Also, it foreshadows events that are going to happen in the film.
6. Orson Welles wanted the title opening of ' A touch of Evil' to have no credits or title music as he wanted to the audience to be invested in the movie straight away. But, Universal Studios decided to put a score and credits as they didn't understand the pictures itself.
7. The favourite trick in Film Noir is that the beginning of the film looks like the ending.
8. It creates suspense as it begins with a picturesque setting as lakes and mountains and the camera is constantly following a car ' like its a predator'.
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